Monday, July 25, 2016

Monday Muse: New Virginia Poet Laureate

. . . one of the important things that all art can do [is]: invite first
the artist and then the audience to reconsider life on different
terms. To the extent that we can imagine ourselves in other lives,
we increase our capacities for compassion and invention.
~ Tim Seibles*

Tim Seibles is Virginia's eighteenth Poet Laureate. His appointment was announced July 15, 2016. 

Seibles, who continues in the post through June 30, 2018, succeeds Ron Smith (2014-2016).

Information about the legislatively created post is included in my Monday Muse profile of the late Claudia Emerson (2008-2010). Others who have served include Sofia M. Starnes (2012-2014) and Kelly Cherry (2010-2012).

* * * * *

. . . when I write a poem, I'm imagining anybody
and everybody as my audience (though, surely,
people of different backgrounds will understand
my poems in different ways).*

Self-described "ambassador of the arts", Philadelphia-born Tim Seibles is the author, most recently, of Body Moves (Corona Press, 1988; Carnegie Mellon Classic Contemporaries Series Poetry, 2013) and Fast Animal (Etruscan Press, 2012). The latter was a finalist for the 2012 National Book Award.

Seibles's One Turn Around the Sun is scheduled to publish on February 14, 2017. (Hear him read the title poem.)

The poet's other books include Buffalo Head Solos (Cleveland State University Poetry Center, 2004), a collection of persona poemsHammerlock (CSU Poetry Center, 1999), and Hurdy-Gurdy (CSU Poetry Center, 1992). In addition, Seibles has published the chapbooks Ten Miles an Hour (Mille Grazie Press, 1998) and Kerosene (Ampersand Press, 1995).

A poem is an invitation to think hard about the human
condition, to recognize differences in experience and
to see our own struggles in the lives/voices of others. . . .**

. . . The tradition that interests me most is the tradition of
employing language with great care to capture something
essential about our time in the world. . . .**

Among the many subjects that Seibles addresses in his poetry are sexual discovery, love, spirituality, race, poverty, religion, innocence, loneliness, identity, self-awareness, childhood and adulthood, life's fragility, remembrance, power and vulnerability, the African past and present, sports, and animals. He salts his poems with numerous cultural references and allusions, from films to cartoon characters, to Greek and Roman myths, to politics; black vernacular or other slang, and what he describes as "highfalutin words"; and quotations from international poetry and other languages, especially African languages. Seibles's imagery is inventive, sometimes oddly juxtaposed, never stale, often sensual and consciously sexual. ("I try to embrace many facets of the sexual world in my poems," he told a Bucknell interviewer, adding, "This is one way for a poet to oppose those forces in the culture who fear this beautiful and mysterious aspect of our humanity.") His diction can be playful, sparkling with touches of humor, as well as lyrical. Rhyme also marks his work. Though he writes primarily free verse, Seibles also uses traditional forms, such as odes, ballads, and villanelles. He gives attention to line and stanza breaks and where he allows pauses (notice his spacing of words). He excels at poems in long form, which tend to run from 150 lines to 400 lines(!).

Following are excerpts from several of Seibles's poem, which I think are especially notable for their lyricism, beautiful, even startling images, and music. Notice, too, in the third excerpt (from an extraordinary poem) Seibles's use of metaphor, similes, and effective repetition. The energy in his poems is propulsive.

Early day, early summer, liquid sunlight
soaking the city and crape myrtle trees bring back
their pink and purple blooms: how can it happen
again, again—Earth spins and dawn unwraps
the night world as if to say show me a story
and the eyes blink

and hearts turn over—something like engines, maybe
like clocks—and not only in beds [. . . .]
~ from "One Turn Around the Sun"

Dusk in the body
      starlight near the heart.

One half-lit street
      heading into night: now

the insects magnify
      their small vocabularies [. . . .]
~ from "Walk"

Her mouth
fell into my mouth
like a summer snow, like a 
5th season, like a fresh Eden,
like Eden when Eve made God
whimper with the liquid
tilt of her hips—
her kiss hurt like that—[. . . .]
~from "First Kiss" (for Lips)* from Buffalo Head Solos

* Hear Seibles read "First Kiss".

Poems by Seibles have appeared in such literary periodicals as The Artful Dodge, Beloit Poetry JournalBlack American Literary Forum, Black Renaissance Noire, CallalooCortland ReviewDark Eros, Electronic Poetry ReviewHuizacheIndiana ReviewThe Kenyon Review, Massachusetts ReviewNew England Review, New Letters, Ploughshares, Rattle, and Red Brick Review.

Seibles's poem "Sotto Voce: Othello, Unplugged" is anthologized in The Best American Poetry 2013 (Scribner, 2013); his poem "Allison Wolff" is in The Best American Poetry 2010 (Scribner, 2010).

Some other anthologies that include Seibles's work are Of Poetry and Protest: From Emmett Till to Trayvon Martin (Kindle Edition; W.W. Norton, June 2016), The 100 Best African American Poems (Sourcebooks MediaFusion, 2010), Black Nature: Four Centuries of African American Nature Poetry (University of Georgia Press, 2009), Seriously Funny, and So Much Things to Say (Akashic Books, 2010). The anthologies Autumn House Contemporary American PoetryOutsiders: Poems About Rebels, Exiles and Renegades (Milkweed Editions, 1999), Verse and Universe: Poems About Science and Mathematics (Milkweed Editions, 1998), E. Ethelbert Miller's In Search of Color Everywhere, New American Poets of the '90s (Godine, 1991), and A Way Out of No Way: Writing about Growing Up Black in America  (EdgeBooks, 1996) also feature Seibles's work. 

Seibles has been the recipient of a number of awards, among them the 2013 PEN Oakland Literary Award (Poetry), for Fast Animal; the 2014 Theodore Roethke Memorial Poetry Prize; fellowships (Provincetown Fine Arts Work Center, 1991; and National Endowment for the Arts, 1990), the 2009-2010 post as Poet-in-Residence at Bucknell University; and the Open Voice Award (National Writers Voice Project). He also is the holder of an honorary Doctorate of Humane Letters from Misericordia University. In addition, artist Scott Stanton (a.k.a. Panhandle Slim) painted Seibles's portrait, one of eight decorating the walls of Payne Hall at Savannah State University.

A professor of English at Old Dominion University, Norfolk, Virginia, where he teaches in both the English Department and MFA writing program, Seibles also leads or has led workshops for Cave Canem and the Zora Neale Hurston-Richared Wright Foundation; is a teaching board member of The Muse Writers Center, in Norfolk, Virginia; and teaches in the low-residency Stonecoast MFA creative writing program at the University of Southern Maine. In addition, he visits colleges and universities, as well as middle and high schools, to read and demonstrate his love of poetry, conduct workshops, or lecture. He attends many poetry festivals in the United States and abroad.


Photo Credit: John-Henry Doucette

All Poetry Excerpts © Tim Seibles

* Quoted from Bucknell Interview (See link below.)

** Quoted from Poem of the Week Interview (See link below.)

Office of the Governor, "Govenor McAuliffe Announces Administration Appointments", News Release, July 15, 2016

Tim Seibles Poetry Online: "Magnifying Glass" and "Mosaic", Both at Poetry Foundation; "Faith" at Split This Rock; "Ode to My Hands" at Academy of American Poets; "Slow Dance" at Got Me a Nice Little Place in the Stars Blog; "Dolores Jepps" at Etruscan Press (pdf); "Trying for Fire" at Tim Seibles's FaceBook Page"; "Harvest Moon" on YouTube; "Ode to My Hands" (Excerpt) at Lannan Center for Poetics and Social Practice; "One Turn Around the Sun" at  Heart Journal (Human Equity Through Art); "Ode to My Hands" at PoemHunter; "At 59" at Beloit Poetry Journal (pdf); "Vendetta, May 2006" at Institute for Policy Studies; "Walk" at Massachusetts Review (pdf); "Blade, Historical" at The Cortland Review; "Blade, The Day Walker" at The Nerds of Color; "Mad Poets Villanelle" at Noctuary Blog; "Dawn" and "Vendetta, May 2006", Both at Eleven Eleven Journal of Literature & Art; "Ambition II: Mosquito in the Mist" in Black Nature on GoogleBooks (Also at Will Nixon); "Love Poem" on Peels of Poetry on Tumblr; "4am" and "Edge", Both at Sweetlit; "Dolores Epps" at From the Fishouse; "Trying for Fire" at Poem of the Week; "Each Letter", "Kerosene", and "The Caps on Backward", All at Smith College Poetry Center; "Hardie" at JStor; "The Good City" at Recession Proof on Tumblr; "Midnight, the Coyote, Down in the Mouth" at DailyMotion (Text and Video); "For Brothers Everywhere" at Kansas Poets (Lesson Plans); "Allison Wolff" at The Wednesday Poet Blog; "Free" at Poetry Paths; "Lobster for Sale" at kaBoom! Blog (Video); "Not on My Watch", "The Sparkle in the Night" (Excerpt), "Free", "Being Free", "Memorial Address on the Life and Character of Thaddeus Stevens" (Excerpt), All at Poetry Paths (jpg); "First Kiss" at From the Fishouse; "What It Comes Down To" in Texas in Poetry 2 at GoogleBooks (pp 228-230)

Seibles reads 20 of his poems at "Tim Seibles Poetry Reading" on YouTube.

Tim Seibles's TEDxNASA Talk, "Why Poetry? (YouTube)

"Siebles Earns Theodore Roethke Poetry Prize", Midland Daily News, July 7, 2014

Tim Seibles, "In Sound: Some Reflections on Jimi Hendrix" at Drunken Boat

Jim Morekis, "Tim Seibles: 'We need laughter as much as the capacity to be serious' | Acclaimed Poet Is One of Several Special Guests at Savannah State University Event for National Poetry Month", Connect Savannah, July 18, 2016

Emily Jones, "Savannah State Unveils Portraits of Local, National Poets", GPB News (NPR), April 21, 2016

AdmineJ, "Tim Seibles: A Demanding Voice", Distinction, November 15, 2014

Richard Osler's "The Kiss of a Shark and Feet of a Sparrow: The Poems of Tim Seibles" at Recovering Words, October 27, 2014

Haley Hastings, "Tim Seibles Strives to Build Poetry Fans with His Readings", Missourian, September 16, 2008

Joshua Barnes, "The Writer's Block: A Video Q&A with Tim Seibles", Sampsonia Way Magazine, July 3, 2014 (The video also is found at Poets & Writers, where it was posted in March 2015.)

Remica Bingham-Risher, "Tim Seibles: Interview", Mosaic Magazine, March 13, 2014

Nathan Summerlin, "An Interview with Tim Seibles" at Etruscan Press

Will Willson, "Tim Seibles: A Poet's Poet", Q&A, Mace & Crown (ODU), September 18, 2013

Alan W. King, "Ice Cold | Tim Seibles on Teaching, Privacy, and His National Book Award-Nominated 'Fast Animal'", BOMB, December 6, 2012

Alan W. King, "Tim Seibles: A Product of Sweat and Patience", November 2, 2012

John-Henry Doucette, "Writing Craft, Vol. X: Poet Tim Seibles, Author of Fast Animal (Part One)", May 17, 2012; and "Writing Craft, Vol. X: Poet Time Seibles, Author of Fast Animal (Part Two)", May 22, 2012

Kate Peterson, Interview with Tim Seibles, National Book Foundation, 2012

Erica Smith, "ODU Professor Makes 'Best American Poetry' Anthology", Q&A, The Virginian-Pilot Online, April 3, 2011

Kirstin van der Gracht, "An Interview with Tim Seibles, 2010 Poet-in-Residence", Bucknell University
Erika Runke, Podcast with Tim Seibles, WVIA Radio ArtScene

Andrew McFadyen-Ketchum, "An Interview with Tim Seibles", Poem of the Week, October 5, 2007

Review of Fast Animal at Nervous Poodle Poetry, June 26, 2016

Review of Fast Animal at Words Dance, May 2015

Review of Buffalo Head Solos at Bookslut, February 2005

Etruscan Press (Wilkes University, Wilkes-Barre, Pennsylvania)

Sunday, July 24, 2016

Thought for the Day

Each pause is a wish for things unsaid.
~ Sjohnna McCray

Quoted from "Comfort Woman" in Sjohnna McCray's Rapture (Graywolf Press, 2016). The collection won the 2015 Walt Whitman Award from the Academy of American Poets.

"I Do", Sjohnna McCray Poem at The Spectrum

"The Widower", Sjohnna McCray Poem at Valparaiso Poetry Review

"The Nurse and the Lights" and "Father as Jellyfish", Sjohnna McCray Poems at Project Muse (Published in Southern Review)

Bess Cooley, "Review: Sjohnna McCray's "Rapture'" at Sycamore Review, April 4, 2016

"Review: 'Rapture' by Sjohnna McCray" at Ploughshares Blog, April 17, 2016

Saturday, July 23, 2016

Saturday Short

We may lose the smaller battle but win the big war.
~ Mildred Loving

Film Poster

Today's short is the trailer for the forthcoming film Loving (Focus Features). Filmed in Richmond, Virginia, and starring Joel Edgerton and Ruth Negga as Richard and Mildred Loving, the movie relates the true story of the couple's mixed-race marriage, which, illegal at the time, ended in the Lovings' arrests and jailing in 1958 and their nine-year-long lawsuit to overturn Virginia's Racial Integrity Act prohibiting interracial marriage. Handled by American Civil Liberties Union lawyers, the Lovings' case, Loving v. Virginia (388 U.S. 1), ultimately reached the U.S. Supreme Court, which unanimously affirmed the Lovings' right to marry and  invalidated all states' anti-miscegenation laws.

Directed by Jeff Nichols, the film opens in theatres throughout the United State on November 4.

Following is a filmed report with the real-life Lovings:

Mildred Loving died in 2008 (read her New York Times obituary); her husband died in 1975.

Focus Features on FaceBook

Friday, July 22, 2016

All Art Friday

All Art Friday

All Art Friday Spotlights

✦ The "naive" artist Anne Bouie seeks to "explain and communicate timeless spiritual values important for living", according to her Artist's Statement. Take time to view Bouie's online Assemblage Gallery and Sculpture Gallery and to read her five-question interview at Eye Level, the Smithsonian American Art Museum's blog. Bouie participated in June in SAAM's Luce Artist Talks series and exhibited The Four Moments of the Sun (see image of part of her installation, below) in her solo show "Anne Bouie: In the Temple of the Ancients", which ran from June 11 to July 9 at Flashpoint Gallery in Washington, D.C.

Anne Bouie, The Four Moments of the Sun

✦ Japan-born Hiromi Mizugai Moneyhun, who lives in Jacksonville Beach, Florida, uses a Japanese paper-cutting technique called kirie to give her extraordinary works a unique look. Twenty-two of her cut-paper drawings are on view through September 18 at Morikami Museum and Japanese Gardens, Delray Beach, Florida. The exhibition is titled "Shadows of the Floating World".

Watch a video on kirie techniques.

✦ The remarkable 17-metre-high structure The Hive, designed by Wolfgang Buttress, is on view at Kew Royal Botanic Gardens until November 2017. Read "How The Hive Experience Is Led by Real Bees" and "The Sculpture Controlled by Bees: Wolfgang Buttress's Hive".

More About The Hive

✦ Architects Jacques Herzog and Pierre de Meuron discuss how Tate Modern was made.

✦ Yesterday's Artist Watch column at Escape Into Life featured textile artist Barbara Schneider, whose work can be seen through September 4 at the Textile Museum's exhibition "Stories of Migration".

✦ Below, a lovely video, Begin With Thread, about the marvelous textile artist Sheila Hicks and the creation and installation for her design (2014) for the Ford Foundation:

See additional videos at Hicks's Website.

The special exhibition "Sheila Hicks: Material Voices" is on view through September 4 at Joslyn Art Museum, Omaha, Nebraska. A catalogue (image below) accompanies the show. 

Cover Art for Material Voices Catalogue

Exhibitions Here and There

✭ Continuing through September 25 at New York City's Whitney Museum of American Art is "Stuart Davis: In Full Swing". The exhibition focuses on Davis's mature work and his method of using preexisting motifs as inspiration for new compositions. Some 100 works, dating from early 1920s paintings to work unfinished at his death in 1964, are featured. Audio guides (available online and off) and free daily tours are offered, as well as lectures and other exhibition-related events.

A 250-page catalogue (image below) with 143 color illustrations and 41 black-and-white images accompanies the show.

Catalogue Cover Art

Whitney Museum on FaceBook, Twitter, YouTube, and Vimeo

✭ The group exhibition "Outside — In", examining perspectives on and interpretations of the dwelling, both "out" and "in", opens July 29 at the Joan Hisaoka Healing Arts Gallery at the Smith Center, Washington, D.C. The participating visionary artists are Carson Murdach, Michael Nakoneczny, Mars Tokyo, and Lee Wheeler. The show, which runs through September 2, is curated by Spencer Dormitzer and Dolly Vehlow.

Joan Hisaoka Healing Arts Gallery on FaceBook

✭ In Minneapolis, the Minnesota Center for Book Arts has mounted "Collected Voices: 30 Years of Quatrefoil Library". On view through October 16, the exhibition relates the story of the volunteer-run Quatrefoil Library, now the second-largest LBGT lending library in the United States, highlighting both the literature and local publications it offers.

MCBA on FaceBook and Twitter

✭ The Crystal Bridges Museum of American Art, Bentonville, Arkansas, continues "American Made: Treasures from the American Folk Art Museum" through September 19. The ticketed exhibition features more than 115 handmade objects, from quilts and carvings, to signs and samplers, to weathervanes and whirligigs. A wide range of workshops and other related events complements the show. New York City's Folk Art Museum is the co-organizer of the exhibition. View a selection of images at the exhibition link above.

Crystal Bridges Museum on FaceBook and Twitter

✭ Twelve prints drawn from the more than 500 works donated by Rene and Carolyn Balcer to the Virginia Museum of Fine Arts, Richmond, are on view through August 3 in the Works on Paper Focus Gallery. The exhibition, "Snowy Landscapes: Japanese Woodblock Prints by Kawase Hasui", includes the beautiful winter landscapes Snow at the Zojoji Temple (1929) and Snow at Heian Shrine, Kyoto (1948). Other exhibition prints from the Balcer collection include Hasui's depictions of Japanese landmarks and rural areas.

Kawase Hasui, Snow at the Zojoji Temple, 1929
Japanese Woodblock Print; Ink and Color on Paper
Rene and Carolyn Balcer Collection, 2006.543

Kawase Hasiu (1883-1957)

The video below features a conversation with the Balcers about collecting Hasui's works:

Thursday, July 21, 2016

Thursday's Three on Art

Today, Thursday's Three brings you a trio of published or forthcoming art titles.

Hirameki: Draw What You See (Thames & Hudson, March 2016) ~ Peng + Hu's color-illustrated Hirameki — Japanese for "flash of inspiration" or "brainwave" — is for artists looking for a creative spark and doodlers of any age. Their 192-page book, which the publisher describes as "an ingenious take on the Rorschach Inkblot Test", comprises blots and splashes in ink, watercolor, and red wine that users can transform into drawings or blot-to-blot scenes. Prompts and hints are included in the book's seven sections to "guide progress" or to just have fun by letting your imagination take you where it will.

Cover Art

Watch this video to get an idea of what's inside.

Fragile Beasts Coloring Book (Cooper Hewitt, July 26, 2016) ~ Published in conjunction with  the exhibition "Fragile Beasts", on view through January 16, 2017, at Cooper Hewitt, Smithsonian Design Museum. The 96-page coloring book features  a selection of grotesques — from serpents and dragons, to chimeras and gargoyles — that have been adapted as line drawings by designer Magali An Berthon from the 16th Century and 17th Century prints and drawings on exhibit.

Cover Art

Hugh Steers: The Complete Paintings (Visual AIDS, February 2016) ~ The first book about the figurative painter Hugh Steers, who died of AIDS, age 32, in 1995, the 248-page volume features more than 600 full-color images of Steers's paintings on canvas and paper. The artist described his work as being in the tradition of "artists whose work embodies a certain gorgeous bleakness."

Cover Art

Wednesday, July 20, 2016

Wednesday Artist: Book Sculptor James Allen

Portland, Oregon's James Allen is an artist who "excavates" vintage books he finds in used bookstores, transforming them into sculptural objects that tell a new story visually. 

Educated at the University of Wisconsin at Milwaukee, from which he received a bachelor's degree in fine arts, Allen has shown his work in numerous group shows around the country, including "The Book Borrowers: Contemporary Artists Transforming the Book" at Bellevue Arts Museum, Bellevue, Washington.

Currently, Allen's Onomatopoeia (2015) can be seen at the San Jose Institute of Contemporary Art in "This Is Not a Book: Chapter 2", continuing through September 11.

Allen's work can be found in a number of public art collections, including Johns Hopkins University's Milton S Eisenhower Library, Baltimore, Maryland; Ringling College of Art and Design, Verman Kimbrough Memorial Library, Sarasota, Florida; and the University of Colorado's Special Collections Library, Boulder. In addition, images of Allen's work are in Art Made From Books: Altered, Sculpted, Carved, Transformed (Chronicle Books, 2013). 

In 2015, Allen was the subject of an Oregon Art Beat profile at Oregon Public Television.

In addition to his marvelous and beautiful book excavations, Allen is a painter; see his image transfers.

Allen is represented by Laura Russo Gallery, Portland, Oregon (view images of his work there) and Seager/Gray Gallery, Mill Valley, California (view images).

Also see images of Allen's unique piece Skulduggery, 75 Years of DC Comics: The Art of Modern Mythmaking, at 23 Sandy Gallery, Portland, Oregon, and read the gallery's feature "New Artist Spotlight - James Allen".

Tuesday, July 19, 2016

Elizabeth Acevedo's 'Beloved'

Lean into fear. Write the hard poem.
~ Elizabeth Acevedo

In the video below, writer, spoken word poet-performer, and arts educator Elizabeth Acevedo recites her poem "Beloved, Or If You Are Murdered Tomorrow". The timely poem needs no further introduction.

Acevedo, a Cave Canem Fellow and winner of the 2016 Women of the World Poetry Slam, is the author of the forthcoming  Blessed Fruit & Other Origin Myths (September 2016), a finalist for the Yes Yes Books chapbook poetry prize. Acevedo's work has appeared in numerous literary periodicals, including Acentos ReviewBeltway QuarterlyCallaloo, Madcap ReviewThe Notre Dame Review, Ostrich Review, and Poet Lore


Paulette Beete, "Art Talk with Poet and 2016 Poetry Out Loud Host Elizabeth Acevedo", ArtWorks Blog, National Endowment for the Arts, April 12, 2016

Raquel Reichard, "Woman Crush(ing the Patriarchy) Wednesday: Elizabeth Acevedo", Latina, November 11, 2015

Corinne Segal, "Spoken Word Poet Elizabeth Acevedo Issues a Challenge to Rape Culture", PBS NewsHour, October 26, 2015

Elizabeth Acevedo Website

Elizabeth Acevedo TEDTalk on YouTube

Elizabeth Acevedo on FaceBook, Twitter, and Instagram

Elizabeth Acevedo at Project Voice

All Def Poetry

Women of the World Poetry Slam 2016 (Elizabeth Acevedo)

Monday, July 18, 2016

Monday Muse: Advice from Creative Types

I've gathered and posted below some inspirational comments and advice that are "ever-green":

✭ Graphic Novelist and Cartoonist Jessica Abel ~ "Passion for a practice or a subject comes from your investment of time and energy. . . The idea that you need to wait for inspiration is a crock. . . The kind of inspiration that motivates you and makes your work great comes from maintaining a regular creative practice. . . Do the work. . . Do it now, and do it as deeply as you're capable of. . . ." ("Don't find your passion. Grow It.", May 26, 2016)

✭ U.S. Poet Laureate Juan Felipe Herrera ~ "You must give your life to this new you. . . Make room for the new you. People are waiting for you. . . It is your turn. . . Imagine what you can do. . . ." ("The World is Waiting for the New You", June 14, 2015, University of California/Riverside)

Herrera this year gave the commencement speech at Oregon State University/Corvallis.

✭ Filmmaker Steven Spielberg ~ "Listen to that voice that tells you what you could do. Nothing will define your character more than that. . . ." ("Steven Spielberg Commencement Speech, Harvard University, May 2016 (Transcript and Video)", Entrepreneur, May 26, 2016)

✭ Composer, Lyricist, and Actor Lin-Manuel Miranda ~ "Every story you choose to tell, by necessity, omits others from the large narrative. . . This act of choosing — the stories we tell versus the stories we leave out — will reverberate across the rest of your life. . . ." and ". . . since the beginning of the great, unfinished symphony that is our American experiment, time and time again, immigrants get the job done." ("Penn's 2016 Commencement Ceremony, Commencement Speaker Lin-Manuel Miranda", May 16, 2016, University of Pennsylvania; also see "Commencement 2016") 

✭ Author, Professor, and Public Leader Anne-Marie Slaughter ~  "Care is as important as career. . . Career is investing in yourself. . . Care is investing in others. It is learning. . . what to do and what not to do to enable others to grow and flourish." ("Anne-Marie Slaughter | 2016 Spring Commencement Address | University of North Carolina/Chapel Hill", May 10, 2016)

✭ Conservationist Jane Goodall ~ "We may have different colored skin, we may be from different cultures, we may eat different things and wear different clothes, but wherever you go in the world: If you cry, your tears are the same. If you're happy, you laugh, and the laughter around the world is the same." ("2016 College of Arts and Sciences Commencement, University of Redlands, April 23, 2016)

✭ Writer Neil Gaiman ~ "If you're going to make good art, it's likely that you're going to go to the place where things are dark, and use that to shine light into your life and, if you're doing it right, into other people's lives as well." (Gaiman's "Make Good Art" commencement speech at University of the Arts (Philadelphia, 2012) may be viewed here: "Neil Gaiman on Making Art, Mistakes, and His 'View from the Cheap Seat", Los Angeles Times, June 24, 2016)

Sunday, July 17, 2016

Thought for the Day

What good / are wishes, if they aren't / used up?
~ Kevin Young

Quoted from Book of Hours in Kevin Young, Blue Laws: Selected & Uncollected Poems 1995-2015 (Knopf, 2016), p. 565

Saturday, July 16, 2016

Saturday Short

Today's short is an excerpt from London-based filmmaker Mikhail Karikis's Children of Unquiet, about a takeover by children of an abandoned workers' village in Devil's Valley, in Tuscany, Italy, site of the first geothermal power plant in the world. To make the film, Karikis employed 45 children, ages 5 to 12, from the region. The film appeared on the shortlist for the 2016 Jarman Award, named after Derek Jarman (1942-1994).

This is a disquieting, provocative film. Additional excerpts may be watched on Karikis's Vimeo channel and at his Website.

Children of Unquiet (Promo) by Mikhail Karikis from mikhail k on Vimeo.