after the Florence Flood, 1966
1 ~ Call and Response
Come, come and look.
Come for the art.
And by the hundreds,
the thousands, they came:
Mud Angels clutching
colanders, slotted spoons,
tiny-holed sieves,
a volunteer army scooping,
filtering, straining the River Arno
of dissolving gesso flecks.
Come, come and look:
Come for the art
and keep the faith.
2 ~ Consequences
Mold worked faster
than fingers in muck,
blotting hands no match
for the sped-up decay.
Once gold-flecked, words
illuminating manuscripts
swelled, caught under arms
of gilded chairs,
Ghiberti's Gates of Paradise
lodged in Dante's Hell.
3 ~ Cimabue's Crucifix
Santa Croce's thrice-drowned
Son went limp, defeated
on his wooden cross,
his luminous pigment lifted
and swirling in painted water rising
skyward, his eyes closed
to his own suffering, the harm done
never undone.
© Maureen E. Doallas
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In the unforgettable flooding of Florence in November 1966, thousands from across Italy and from many other countries answered a call to help save the artistic treasures buried in mud and waste. The volunteers came to be called "Gli Angeli del Fango", or "Angels of the Mud". You'll find a history, eye-witness accounts, photos, and more at Angeli del Fango. Information about the destruction of Cimabue's Crucifix of Santa Croce may be found here and here. Also of interest is the online exhibition "The Flood. 1966" by Kunsthistoriches Institut in Florence.
6 comments:
What a sad but wonderful story and your poem captures it so well. I love "mud angels."
wow can you imagine...the last of the three of there really carried the weight of emotion for me...saving the art is a high calling...smiles.
I was not aware of this. Your poem portrays the event well.
I really enjoyed this, crisp, wrought from intense sentiment, embedded in a history and everyday reality. Excellent work, and i think you have achieved that meeting of high art, history, and everyperson's concern for the what's it mean for me factor. Excellent work, simply excellent.
What an image and great term: mud angels! Wonderful treatment of this story, Maureen.
I love how you teach us all together with bringing these events to life. This has the feel of a silent Armageddon, a crucifixion of the human soul-- art is the best of us, at least the best that we think of as lasting and enduring... and then the Christ not rising but drowning-- totally amazing, Maureen. A beautiful, painstaking delineation, as ever. xxxj
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