It's all there
in record after record —
the voice hunched
in the back of that
French throat, burning
from the ever-present
Gitanes. He lit more
than one Bardot on fire
with the chanson of his
ardent eyes, pools black
as the vinyl his fans sung to
while the Vatican censored
the dirty old man's love
songs. That body of his
evidence of who and what
he loved is still there,
on the rue de Verneuil,
the pianos long gone
but the way it was then
more than just stories
of a franc note torched on tv
or a Ford Motor catalogue
studied for phrases
for some romantic melody.
Framed gold albums
stack up against photos
of Marilyn and Deneuve,
Marianne and Juliette,
and even the star himself
in the morgue in '91.
Charlotte's got it all now,
the tomato juice in the fridge,
opened bottles of wine,
medals, toy monkeys, ashtrays,
puppet dolls and tapes,
his toothbrush, the blackout
curtains, the covered-up
graffiti. The house is a lair, his
downtime there given to Elvis
and Ray Charles, Dylan, jazz,
Cole Porter, Noel Coward,
Je t'aime . . . moi non plus
and Love on the Beat
and dried flowers on his bed
the day his heart stopped —
untouched, a museum
in waiting. Charlotte spins
Serge in love never made.
All the French do.
© 2013 Maureen E. Doallas
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This poem is my response to today's photo prompt at Magpie Tales. Go here to see the image, drop a link to your own ekphrastic poem or piece of flash fiction, or to read other writers' inspired contributions.
Serge Gainsbourg's house in Paris remains as it was the day he died, everything but the pianos in place.
8 comments:
A look back at the past a la francaise. Not many Americans remember Serge today.
I love your words.
An atmospheric and evocative hommage both to the man and his time.
I love that you wrote about her fascinating father ... beautiful writing!! One of my favorites this week.
well done and thanks for sharing
Sexy...
a man so gifted the french could not help themselves. very nice
Holy Motors, miss Carax ! Oui oui
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