What I love about this work is that it challenges
our assumptions of what kind of visual vocabulary
belongs in the world of art versus science. . .
it offers an alternative entry point
into the complexity of science. . . .
~ Nathalie Miebach
Award-winning Boston-based artist Nathalie Miebach has a deep interest in science, and specifically weather data, which she translates into astoundingly beautiful and highly complex woven sculptures and musical scores that are mapped to weather conditions occurring at a specific time in a specific place.
Below is Miebach's very brief introduction to and explanation of her extraordinary work. Be sure to view the images of her "Changing Waters", a series of sculptures, wall installations, and musical scores that examine meteorological and ocean interactions in the Gulf of Maine; "Tides and Poles"; and "Changing Weather". Go here to view images of and listen to a few of her musical scores.
Slideshow of Miebach's Sculptures and Music Scores
Slideshow of Miebach's Sculptures and Music Scores
http://www.ted.com/talks/nathalie_miebach.html
Miebach, a 2011 Ted Global Fellow, exhibited in 2011 at the Fuller Craft Museum, Brockton, Massachusetts.
Of Interest
Profile of Nathalie Miebach, The New York Times, July 9, 2011
Profile of Nathalie Miebach, MSNBC, June 9, 2011
Feature on Nathalie Miebach, Boston Handmade, January 8, 2011
Blip.tv Feature with Nathalie Miebach, April 2010 (This feature was produced as part of Miebach's show at Wellesley College.)
"Weaving Science Into Sculpture", Lecture by Nathalie Miebach, PBS/NPR Forum Network, March 2009 (Video)
Interview with Nathalie Miebach, Peabody Essex Museum, June 2008 (Video)
Data Flow 2: Visualizing Information (Die Gestalten Verlag, 2010) Miebach's work is included in this book.
4 comments:
Now that's fascinating!
One of the places I've wanted to go is Zadar, Croatia to experience the sea organ.
Passion always wins! Thanks for showing us one more person who transforms obsession (extreme passion) into art.
The gifts people have never fail to fascinate.
there is no such thing as art versus science.
there is no art versus anything.
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