and an orange taxi is not armored
for rules of engagement
in the intersection with the Red Crescent
ambulance or the white Mercedes
or the pickup carrying the brother
who will never make it
because no one gave an order
to fire and everyone was firing
at the same thing everyone else was
left to figure out on his own
if your home is just around the corner
you don't turn back but dash right through
onto Baladiyat Street, tripping
the wires misfiring in the head ever after riddled
with questions you will hear for the rest of your life
like in a junk yard the cars pile up
because in Iraq the cars keep coming
like the bullets
keep coming from all directions into the intersection
if they could have they didn't just shoot
out the engines
their claim is the need to say so much before
the lines get run, the way mascara soon runs
from the eyes
from the backseat of the blue Mercedes
its windshield shattered not unlike the shoulder
dislocated and the skin pulled away
the white undershirt pulled off
the baby and waved
doesn't stop the firing, nor a kid rolling
out the door of another car
before another car and another
car not part of the attack
and not a single one a suicide bomber
but every one driving toward the intersection
like it doesn't matter
they're a bunch of innocent Iraqis
and any civilian who says that
in war there are no rules of engagement
bears a scar on his soul
five thousand rounds and a couple more
it takes to stop the path
of fear traveling toward you
because you can't say stop! loud enough
take time long enough to know
why you do what you do was not
entirely defensible
when cars are coming
toward you and the enemy has no uniform
you can see and there's something
about killing, about a mother with a mangled arm
holding up a baby red with blood
like your own that you will ever after remember
because you were told
anyone could be hostile, because you didn't train
for civilians coming out of houses
or driving through the wire right at you
toward the casualty-collection point
later, marriages will be lost and religions
given up unlike the dogging memories of the killing
it will take rituals of fire
and water to cleanse
tea and cakes on a tray
a long smoke in a front yard in California
to think about that stuff, humanize the things you don't
humanize over there
after you realize what you did before
forgiveness is mentioned
© 2012 Maureen E. Doallas
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I wrote this "found" poem after reading Dexter Filkins's article "Atonement" in The New Yorker (October 29 and November 5, 2012). Filkins's nonfiction piece (available to subscribers online) is about an Iraq War veteran, Lu Lobello, and a family harmed when their paths crossed on April 8, 2003, in the neighborhood of Baladiyat in eastern Baghdad. It is a story about extraordinary loss, about fear and confusion in an impossible situation "on the ground", about not being able to forget, and about need to both seek and receive forgiveness. It moved me deeply.
15 comments:
Wow -- what a powerful poem, and story. Thank you for sharing your heart so beautifully Maureen.
I believe it is forgiveness that will bridge those dark and painful places between our hearts.
Thank you for this.
Hope you're withstanding the storm without undue disruption.
and it is interesting we both write of the same subject today!
Hugs
Powerful, gut-wrenching... this will stick with me awhile!
Powerful poem and story. So many tales yet untold.
Stunning. So much happening even with words - impossible to immediately assimilate that information. Imagine the problem when it's all verging images, running into a field of vision, and there's not only no uniform, but no leader but one's own brain to direct the action. Powerful, Maureen!
Powerful, as forgiveness always demands. There is a quest there—seeking forgiveness and overcoming pain. Those are moments in life that need to be captured and told. You told it well, with that feeling and genuine sentiment. No done well. Not done often enough.
Maureen ... these are very powerful stories and your poem is an ache in the heart. As happens so often, our spirits are in sync.
i recently talked to a guy who lives with his family in baghdad..about the fears and the terror..your poem describes the horror in a way that i felt like i was in the middle of the scene..
I wish I could "find" poems like this - well, maybe not QUITE like this, i'd rather we didn't live in that sort of world, but since we do.. powerful and compelling. I am much impressed.
This poem is being bookmarked…a very powerful piece….thank you for sharing it.
This poem is being bookmarked…a very powerful piece….thank you for sharing it.
This is just amazing writing. Amazing. Makes my heart hurt. Beautifully captured.
Maureen.. you have harnessed the detail and emotional power from your source into a truly unforgettable piece of writing. The form so well carries along that string of events, past, present and future... a real chain of vivid impressions and laden incident.
Maureen.. you have harnessed the detail and emotional power from your source into a truly unforgettable piece of writing. The form so well carries along that string of events, past, present and future... a real chain of vivid impressions and laden incident.
In 2005, I collected poems for a Pax Christi anthology called Imagine a World: Poetry for Peacemakers. One section had poems on "the feel of war." Oh, if I were compiling this book today, your poem would be right at the start of this section. Nothing can give the horrible "feel of war" as profoundly as you do here.
Thank you all so very much for all your generous comments. I hope you'll find a copy of The New Yorker article and read it and be moved by it, as I was.
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